Bodies on the Line: Intersections between Gender and Dis|ability

For a long time the relationship between gender and dis|ability has been viewed in a subtractive or additive fashion, often pointing to the emasculation of men or double discrimination against women. The portrayal of dis|ability annihilating gender and exacerbating systems of oppression can be found in mainstream media and disciplinary scholarship alike. While identity is commonly explored through the axes of race, class, and gender, arguments have been put forward to include the category of the body or dis|ability (Smith & Hutchison 2006, Winker & Degele 2009, Walgenbach 2007). Be it Rosemarie Garland Thomson’s assertion of ‘feminist disability studies’ or Tom Shakespeare’s, Russell Shuttleworth’s, and Thomas Gerschick’s work on ‘disabled masculinities,’ or approaches within Queer Studies, the shared objective is to catalyze a negotiation of the interlocking of identity markers in subject formation and the resulting particularities of oppression that permeate all of these discourses. In tackling these questions, conceptualizations of bodily difference similarly move to address the construction of normalcy, heteropatriarchy and privilege. With a pointed interest in gender and dis|ability, this issue of gender forum investigates the mutually constitutive relationship between these analytical categories as well as their representation in the Arts. What are the transformative powers and vital concerns negotiated in the paintings of Frida Kahlo, the performance art of Bob Flanagan, the poems of Kay Ulandy Barrett, the athletic performances of Oscar Pistorius, or the pop songs of Victoria Modesta? With reference to Kimberly Crenshaw’s analytical framework of intersectionality, this issue intends to explore the complicated relationship between dis|ability and gender. How does dis|ability affect gender formation? How does gender play itself out in the lived experience of the dis|abled body? What role do gendered and ableist stereotypes play in shaping subject positions as well as social groups? What impact does the expansion of the traditional triad of race, class, gender have on questions of politics, human diversity and the materiality of the body? Potential topics may include:

  • literary and visual representations of gendered dis|ability or dis|ableist gender.
  • life writing and life narrative.
  • multi-abled / mixed-abled theatre productions and performance art.
  • bionics, prosthetics, human enhancement technologies.
  • current forms of eugenic practices in Western cultures.
  • right wing populism, border policies, welfare cuts as well as protest, activism and equal rights movements.
  • possible linkages to the fields of New materialism, Posthumanism, Ecocentrism or Animal Studies.
  • thinking dis|ability and gender through approaches such as grievablility (Judith Butler), ethics of care (Myriam Winance, Joan Tronto, A. Damamme, Susan Wendell) or vulnerability (Margrit Shildrick).

Abstracts of no more than 300 words and a brief biography should be submitted to and by December 15, 2017. The deadline for the completed papers of 5000-8000 words (MLA 8, numbered paragraphs) is February 15, 2018.

(Publication date: Spring 2018)

Target articles should conform to current MLA Style (8th edition) and should be between 5,000 and 8,000 words in length. Please make sure to number your paragraphs and include a bio-blurb (including your contact information) and an abstract of roughly 300 words. Files should be sent as email attachments in Word format. Please send your manuscripts to gender-forum”AT”

We always welcome reviews on recent releases in Gender Studies! Submitted reviews should conform to current MLA Style (8th edition), have numbered paragraphs, and should be between 750 and 1,000 words in length. Please note that the reviewed releases ought to be no older than 24 months. In most cases, we are able to secure a review copy for contributors.

Publishers are welcome to send us new publications pertaining Gender Studies. Please send review copies, review suggestions, queries or submissions to gender-forum”AT”

Books and audiovisual media currently up for review (other suggestions welcome):

Baumgarten, Poliana, creator. Berliner Farben, Web Series (on Youtube), 2017.

The Year We Thought About Love. Directed by Ellen Brodsky, Village Films, 2015.

Dalya’s Other Country. Directed by Julia Meltzer, Other Country Films, 2017.

In Between. Directed by Maysaloun Hamoud, Alma Cinema, 2016.

Emeke, Cecile, creator. Ackee and Saltfish. Web Series, 2015.

Ashgar, Fatima, and Sam Bailey, creators. Brown Girls. Web Series, 2017.

Below Her Mouth. Directed by April Mullen, Serendepity Point Films, 2017.

Marija. Directed by Michael Koch, Pandora Film Produktion, 2017.

They. Directed by Anahita Ghazvinizadeh, Mass Ornament Films, 2017.

Battle of the Sexes. Directed by Valerie Faris and Jonathan Dayton, Fox Searchlight Pictures, 2017.

RuPaul, creator. RuPaul’s Drag Race. MTV, 2009-present.

Dahlerup, Drude. Has Democracy Failed Women? Polity, 2017.

Davis, Heath Fogg. Beyond Trans: Does Gender Matter? New York UP, 2017.

Farris, Sara R. In the Name of Women’s Rights: The Rise of Femonationalism. Duke UP, 2017.

Furhman, Arnika. Ghostly Desires. Queer Sexuality & Vernacular Buddhism in Contemporary Thai Cinema. Duke UP, 2016.

Irving, Helen, editor. Constitutions and Gender. Edward Elgar Publishing, 2017.

Jackson, David. Exploring Aging Masculinities. The Body, Sexuality and Social Lives. Palgrave Macmillan, 2016.

Koch, Angela. Perverse Bilder. Zur Visualisierung und Medialisierung von sexueller Gewalt. Vorwerk 8, 2015.

Mayock, Ellen. Gender Shrapnel in the Academic Workplace. Palgrave Macmillan, 2016.

Moultrie, Monique. Passionate and Pious. Religious Media and Black Women’s Sexuality. Duke UP, 2017.

Peel, Elizabeth, and Rosie Harding. Ageing and Sexualities: Interdisciplinary Perspectives. Routledge, 2016.

Sayed Gadelrab, Sherry. Medicine and Morality in Egypt: Gender and Sexuality in the Nineteenth and Early Twentieth Centuries. I.B.Tauris, 2016.

Sykes, Heather. The Sexual and Gender Politics of Sport Mega-Events: Roving Colonialism. Routledge, 2017.